SoMa, San Francisco
Publicly Private
from $ 749
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Christopher Woodcock
Publicly Private is the name given by Christopher Woodcock to his picture series of New York, Boston, and San Francisco. The title was chosen by the artist to draw attention to a reality that is not… Read more
Intro Bio Exhibitions
SoMa, San Francisco
Publicly Private
from $ 749
NoMad, New York
Publicly Private
$ 5,790
NoMad, New York
Publicly Private
$ 5,790
Los Angeles City Center
Publicly Private
from $ 999
Los Angeles City Center
Publicly Private
from $ 999
Sutter Stockton, San Francisco
Publicly Private
from $ 1,490
Sutter Stockton, San Francisco
Publicly Private
from $ 1,490
Background Information about Christopher Woodcock
Introduction
Publicly Private is the name given by Christopher Woodcock to his picture series of New York, Boston, and San Francisco. The title was chosen by the artist to draw attention to a reality that is not visible at first glance, but rather hidden behind a city’s architectural facades. Woodcock’s works reflect the words of Italian writer Italo Calvino: “Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules absurd, their perspectives deceitful, and everything conceals something else.“
The composition of Woodcock’s shots is so impressive that one is tempted to see them as sophisticated photo montages. This would be a mistake. The viewer is not tricked by an optical illusion, but instead succumbs to a complex reality that mirrors modern life. By using a large-format camera and a lens that captures different image areas with equal definition, the viewer is drawn into a confusing world of urban diversity.
The perspectives chosen by Woodcock are surprising – they nestle between towering residential and commercial buildings, foreground and background blending into one another while the horizon appears to dissolve. The viewer experiences a general loss of orientation and is forced to question the distinction between the private and public spheres. Architecture becomes a visual metaphor for human existence and the structures of society.
To strengthen the effect of these interwoven, interlocking city scenes they are bathed in a surreal light. The intensive colour is produced through a long exposure time at night. The viewer sees a real world presented in artistic form, a window to the future.
Stephan Reisner
The composition of Woodcock’s shots is so impressive that one is tempted to see them as sophisticated photo montages. This would be a mistake. The viewer is not tricked by an optical illusion, but instead succumbs to a complex reality that mirrors modern life. By using a large-format camera and a lens that captures different image areas with equal definition, the viewer is drawn into a confusing world of urban diversity.
The perspectives chosen by Woodcock are surprising – they nestle between towering residential and commercial buildings, foreground and background blending into one another while the horizon appears to dissolve. The viewer experiences a general loss of orientation and is forced to question the distinction between the private and public spheres. Architecture becomes a visual metaphor for human existence and the structures of society.
To strengthen the effect of these interwoven, interlocking city scenes they are bathed in a surreal light. The intensive colour is produced through a long exposure time at night. The viewer sees a real world presented in artistic form, a window to the future.
Stephan Reisner
Bio
| 1975 | Born in San Francisco, USA |
| 2002 | Bachelor of Fine Arts – Photography, San Francisco Art Institute, USA |
| Studies in the master program in Fine Arts at UC Davis, University of California, USA | |
| Lives in San Francisco, USA |
Grants
| 2003 | ArtLink@Sotheby's International Young Art program |
Exhibitions
Solo Exhibitions
| 2004 | Caterina Pazzi Contemporary Art, Rome, Italy |
Group Exhibitions
| 2003 | Sonoma Valley Museum of Art 2007 Biennial, Sonoma, USA Douglas Udell Gallery of Canada, Canada |
| Art fairs in Paris and Toronto |
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